NaNoWriMo is dead – Long Live NaNoWriMo!

If you’ve been around the writing circuit this year, you’ve probably heard about this: NaNoWriMo has imploded.
Back in April, NaNoWriMo.org, the worldwide organization that every year encouraged writers to spend the month of November in a mad dash towards completing a 50,000 word novel, was shut down. Gone. Kaputt.

I can’t say I’m not sad. Even just writing this brings up the sadness again. Because, you see, NaNo was such an important part of my life. Without NaNoWriMo, I would not be a writer. On November 1st, 2011, I sat down and typed “It was the blue bowl that started it all,” and on November 30th, I had written fifty thousand words and I had a novel. A novel that I didn’t know I had in me. A novel that became Seventh Son. A novel that made me able to call myself a writer.

I didn’t really engage in any of the NaNo activities that first year, but it was the organization of NaNoWriMo that kept me going, nonetheless. That year, they had little video clips on their website – I can’t remember how often they updated them; it seems that it was every day, or every weekday, although that seems like way too often. Maybe it was just once or twice a week. They started with a snappy tango tune – I can still hear it playing in the back of my head now (unfortunately I can’t find it on Youtube anywhere, or I’d inflict it on you) – and it also involved something with a dinosaur and a tacky plastic viking helmet (the helmet was plastic, not the viking). In my (admittedly somewhat hazy) memory, it seems that every day after I finished my writing, I’d log into the site and let myself get cheered up and cheered on by that bouncy tune. And then there was the hilarious Errol Elumir, a musician and writer from Toronto, who every day posted another instalment of his webcomic, Nanotoons; I think he and some friends even made a NaNoWriMo movie that year that they posted an episode of every week (if you know where to find it to watch it, let me know). So much fun, so much frenzy.

And then towards the very end of the month, I did go out for coffee with some other local Wrimos, and we celebrated our NaNo wins (or almost-wins; I think there were a few days left in the month). The next year, I was back. And I went to more of the coffee meetings, made friends with the local Wrimo crowd, and we wrote and grew together. A few years later, some of that same crowd decided to keep meeting year-round, and we started a writing critique group. It’s almost like the bulk of my writing life is due to NaNoWriMo.

And now that’s over. No more NaNoWriMo.

But then, I hadn’t actually written a “proper NaNo” in quite a few years anyway. NaNo had a system of volunteers called MLs, Municipal Liaisons (I never know how to spell that), who ran the local chapters. I was one of those people for a few years, and truth be told, I found it quite exhausting. In the years that I was an active ML, I didn’t get a single novel finished.

So by the time NaNoWriMo finally crumbled in 2024 (Happy 25th Anniversary…), I had lost steam. My love for NaNo was more nostalgia than anything else. I have half a dozen T-shirts and hoodies with the NaNo name on it and about as many posters lining my study walls, but the print on the T-shirts is flaking, and the NaNoWriMo logo on my favourite travel mug is almost entirely worn off.

I think there is something rather symbolic about that. Yes, NaNoWriMo was fantastic while it lasted. Just like my first NaNo hoodie, the big black one, that I bought myself in 2012 as a reward for finishing my novel. But the paint flaked off, and the cuffs are worn through. It’s time for something new.

And then I got to thinking. NaNoWriMo started in 1999, with a few crazy friends who decided to try to write a novel in one month. Yes, it grew from there, in leaps and bounds – soon there were thousands of participants, then hundreds of thousands; there was a fancy website, and it got fancier with every iteration; there were word count trackers and word sprinting software and forums and pep talks and badges and what-not and so on…

But, hold on, what was it really all about? It was about a few crazy friends who decided to write a novel in one month. That’s it. Chris Baty and his buddies, back in 1999, didn’t have any of that fancy stuff on that fancy website that is now defunct. They didn’t need that website, didn’t need the non-profit. Sure, it was great to have, but it wasn’t required. What mattered was DOING THE THING – writing that novel.

And that, folks, we can still do. Even if NaNoWriMo.org no longer exists, WE CAN STILL WRITE NOVELS. The whole process might even be better for being, well, simpler. More grassroots. More back-to-basics.

And you know what I just discovered, as in, ten minutes ago while I was writing this? I’m not the only one thinking this! I’m not alone in this novelling journey after all – THERE IS A NEW NANOWRIMO!!

It’s different, it’s not the same, it’s not even an actual organization. But it’s spearheaded by Chris Baty himself, with a whole team of veteran NaNo volunteers, and there is a website with resources, and a blog where people post cool stuff, and even a place where you can download web badges to splash around your social media sites. It’s called NaNo 2.0 (https://nano2.org/), and it looks amazing. Exactly what I was wishing for: a place to get back to the spirit of NaNoWriMo, the way it started out. Not one central “organization”, but a grassroots movement of people all over the world doing writerly things, in November, and supporting each other through it.

I’m so excited – I started this post feeling sad, mourning for the loss of NaNoWriMo. But NaNoWriMo isn’t gone, after all! It just looks different now. And, dare I say – maybe even better? NaNoWriMo is dead – long live NaNoWriMo!

I don’t know what I’ll do this November, if I’ll write a novel or not. But whatever it is, I’m looking forward to getting back into the novelling spirit.

Life, the Universe, and a NewNoWriMo. What about you – will you join the fun?

I Cooked a Simple Breakfast

“I cooked a simple breakfast of omelet and toast,” says the main character of a historic novel I recently read, in a throwaway half sentence. A simple breakfast. Of omelet and toast. In a cottage in the backwoods of Ireland, in 1911. Wait, simple?

Let’s break this down, shall we.

In order to make an omelet (or omelette, depending on where you live), you need to, of course, crack eggs, and… Hold on, back up.

I, too, had a simple breakfast this morning of eggs and fresh-baked bread (yes, I know! Just bear with me). At 8am, my breadmaker beeped, whereupon I dumped the loaf out of the bread pan and set it to cool on a rack. At around 8:30, I cracked an egg into a bowl, bunged a frying pan onto the stove, turned the knob to medium, melted a bit of butter in the pan, poured the egg into the pan, pushed it around with a spatula, then put it on a plate with the buttered end of the warm loaf of bread. I poured myself another cup of coffee from the coffeemaker, and voilà, my simple breakfast!

But with the MC of our story, oh dear me, no.

Yes, she also cracks eggs and slices bread. But before she does any of that, she has to make a fire. Probably on an open hearth, as this is a rural cottage in the woods—but we’ll be charitable and give her a closed stove (more on that in a minute).

So, making a fire. Probably raking out the ashes of last night’s fire, getting some kindling, hauling in (hopefully already chopped) wood, stacking the fire, setting it alight, waiting however long it takes for it to catch, then to sort of die down to something less than an enthusiastic flame… Truth be told, I’ve never actually cooked on a wood or coal stove, let alone an open fire, aside from roasting wieners or marshmallows on a stick (it’s on the things-to-learn list). But I’m pretty sure you can’t cook on a fire when you first set it alight, you have to let it establish itself. Especially when you want a sort of middling flame for your medium-hot pan, which you absolutely need for an omelet (the pan can’t be too hot—you don’t want to know how I know).

Okay, so now she’s waiting for the fire to get to cookable dimensions, which gives her time to work on her omelet. That’s not much different from what we do today—crack the eggs, beat them up with a fork, then… Is it a plain omelet? Or does it have cheese, and chopped onion, and maybe some chopped bell peppers or tomatoes or herbs…? All of which would need dicing, grating, otherwise preparing… Well, we’ll just go with a plain omelet, it’s easiest. So, beaten eggs are in a bowl, the fire is at a cookable state, you heat the pan to medium, melt the butter, pour egg into pan.

But then we get to the toast. Not just a slice of bread, toast. Which, in case you don’t know, is a slice of bread that’s toasted (you’re welcome). How does one make toast? Hang on, I can show you, I did a drawing (it was for a class):

That’s how you make toast, right? Every one of my classmates drew something almost exactly like this.

But our intrepid MC, she doesn’t have a toaster. No simply sticking your bread slice into an electric machine and pushing down a lever, to have a crispy golden brown slice pop up a few minutes later, steaming, for your delectation. So, again, I haven’t really made toast on an open fire myself, but I’ve burned marshmallows, so I know that they don’t work terribly well for toasting on an open flame. They want glowing coals. Which requires letting the fire burn down. And then you’re sitting there, patiently, with your item-to-be-toasted skewered on your toasting fork, and you carefully hold it to the heat source trying not to burn it (Whoosh! Marshmallow torch! Oops, sorry, that’s your modern Canadian campfire. Back to the topic—toasting bread on a breakfast fire). Which is not something you can do at the same time as carefully cooking an omelet, in an open pan, over that same fire, as you only have two hands.

And then—I did say we’d come back to the “closed stove” topic—our MC, after having consumed her simple breakfast, takes the leftovers and “tucks them in the oven” for her still-sleeping friends. That’s why she has to have a closed stove available to her. But woodfired ovens even in a woodstove are notoriously difficult to handle, from what I’ve read. They aren’t just on with a nice even heat like our electrical thingamagigs, they require fiddling with and knowing exactly what you’re doing, so you’re not burning one side of whatever-is-in-there and having the other side go cold.

Conversely, if our MC’s cottage-in-the-backwoods didn’t have a closed stove but an open fire and a separate oven, which is more likely for that time and place, that oven would be one of those stone or brick recesses in the wall with a door in front, like the one in Hansel and Gretel. That kind of oven you heat by building a big fire inside of it (that’s what the witch had Gretel do, intending to cook her), then when it’s at the right temperature, you rake out all the hot coals and quickly shove your bread (or witch) inside, clapping the door shut, to bake things in the residual heat being held by the thick stonework around it. All extremely time-consuming, not to mention highly skilled work.

In other words, very, very far from simple.

Okay, you’re probably tired of my ranting here. But you get the point: if you’re writing a historic novel, please think through what life “back then” was actually like. What’s “simple” now was actually very complex in times past. It took a huge amount of labour. Labour that, in most cases, was done by servants, or by your wife. And if you didn’t have servants or a wife, as is the case for the MC in this novel, you just didn’t have the things that took work. You made toast for a treat for Sunday afternoon tea, not for a quick, simple breakfast. You didn’t “tuck things in the oven”, you maybe put them “to simmer on the back of the hob” (which I’m not entirely sure of what that means, either, but have read about lots of times), and reserved the oven for baking once a week or so.

Today, I can have fresh-baked or toasted bread, scrambled eggs, and hot coffee for my breakfast, because I have an electric breadmaker, and a toaster, and an electric stove, and a coffee machine. I have electric servants. So for me, that kind of breakfast is simple. But in 1911, the terms “cooked” and “simple breakfast” did not belong in the same sentence.

It annoys me when today’s writers or readers completely disregard the amount of sheer labour that goes into having everyday creature comforts in the absence of the convenience that today’s electric and electronic machinery can give you. We disregard the work that people had to do in the past to get what we totally take for granted. We disregard the value of labour, and that means we disregard the value of the people who did that labour. “Simple” things actually take a lot of work. Let’s honour the people who did that work, shall we?

So next time you give your servantless MC in her historic-cottage-in-the-woods a “simple breakfast”, make it a (cold) slice of bread and hardboiled egg (cooked last night when she made dinner). I promise I won’t jump on you for it.

Life, the Universe, and Cooking a Simple Breakfast. I do like my electric servants.

PS: If you want to read more on this topic, check out my post on my visit to the Charles Dickens museum: “Dahl’s Chickens, or: Why They Needed Servants in Those Days

PPS: I won’t tell you the title or author of the novel that I’m talking about here, because my rant only pertains to that one, tiny half-sentence. In all other respects it’s quite a good book, and I don’t want to spoil anyone’s enjoyment of it.

PPPS: I said I’d stop ranting, but, don’t even get me started on the labour of producing textile work and the authors that sneer at “homespun”… I know, I know, that’s a post for another day.

It’s a Sale!

Actually, it’s a two-day sale! And the new Seventh Son is part of it! The ebook version is on for US$0.99 (or its equivalent in your currency) all weekend, Saturday and Sunday. The Cozy the Day Away Sale: Over 150 books, all Cozy Fantasy, all on sale!

It’s a great sale again, with so many different authors and books. To mention just a few of my favourites, of course there’s E.L. Bates with Whitney and Davies; there’s Shanna Swendson (through whose newsletter I found the sale in the first place); there’s Victoria Goddard whom I discovered at the first sale I participated in at the end of December and whose books I have since devoured like they’re going out of style (which, thankfully, they’re not – rather the opposite…) – so many good books, so many amazing deals.

So hie thee over to the Promisepress website and check out the Cozy the Day Away sale! But do so right away, because the sale really is only on for those two days; the listings go away after that.

Life, the Universe, and a Cozy Fantasy Sale! Which books will you pick up on sale?

The Print Books Are Here!

Seventh Son, the Second Edition!

The print books of Seventh Son 2nd Edition have arrived! Look at them, aren’t they lovely?

You can get your very own copy from Amazon, for the equivalent of Cdn$20. Or, if you don’t want to deal with Amazon, and/or you want a signed copy, let me know; however, unfortunately it’ll cost extra because of shipping, and at the moment Canada Post is on strike (again). You could also get your copy from Amazon, and if you want a signature to go with it without paying for the extra shipping, give me a shout and I’ll send you a signed card that you can stick in the front of your book – again, Canada Post willing; it might be a while in getting to you.

So, here we are: It was the blue bowl that started it all…

That’s Life, the Universe, and a brand-new Edition of Seventh Son! Give it a read and let me know what you think!

The grand unboxing of the new books!

It’s a New (Old) Book!

Introducing: Seventh Son, the 2nd Edition!

You know how, almost a year ago, I announced that I was re-writing Seventh Son? It’s finally done. So here it is, in its new glory! It was meant to be a tenth anniversary edition, but now it’s more like a ten-and-eleven-twelfthth anniversary edition.

This is the foreword to the new edition:

I wrote Seventh Son in 2011, and published it in 2014. It was the first novel I ever wrote and published. I was quite proud of it at that time, and went on to write and publish several more books in the series. But after ten years of writing, and of editing for other writers, I re-read this book, and I realized that while I still really enjoyed the story, I could do a lot better on the writing front, and that this book deserved a makeover.
So, if you read Seventh Son before, rest assured that this is still the same story, that nothing has changed about Cat and Guy and all the people you’ve met before (except that perhaps they’re a bit less diffident and wordy). I hope you enjoy this new version just as much.
And if this is the first time you’re here, then Welcome! I hope you’ll find a home in the Septimus World.

Angelika M. Offenwanger
June 2025

And this is the blurb (also new & improved):

Cat was ordinary—until the day a blue bowl whirled her off to a magical medieval world…
Catriona thought a fresh start after a breakup would be simple. She didn’t count on a museum visit, a curious blue pottery bowl… and a sudden tumble into a world where nothing is the way she expects.
Her welcome committee? One badly injured man sprawled across her path, one very muddy baby watching over him, and one very big mystery: the seventh son of the seventh son has gone missing.
Armed with only her wits, her courage, and the bits and pieces she learned from library books, Cat must cope in this new world, unravel the mysteries before her, and find a way to get back home to the modern world.
But when the chance finally comes—will she even want to?

The print copies aren’t quite ready yet – I’m still waiting for the proof copy so I can make sure everything is right before I put it out into the world – but hopefully within a week or two they’ll be available on Amazon. And meanwhile, you can get started by reading the ebook, from whatever your favourite ebook vendor is!

That’s Life, the Universe, and an Old Book in New Wrappings. Come on over and hang out with Cat and Guy again!

And I Thought I Made That Up: a Cozy Fantasy Book Sale

The time: April of 2015. The issue: I’d published a couple of novels, and I didn’t know what genre to fit them into.

They’re fantasy – but not classic fantasy with orcs and swords and sorcery. They’re romance – but not classic romance with heart throbbings and he-loves-me-he-loves-me-not. They have a whole lot of cooking and hand-making things, and small children, and people being kind to each other and finding new friends and family and home. They are, in short, very cozy, but they’re fantasy. So I made up a name for them: I called them “Cozy Fantasy“.

I really did make up that name myself. You know, to go with the “Cozy Mystery” genre (e.g. Agatha Christie). Because at that time, there was no name for the genre I’m writing in, or at least none that I could find.

But then, a year or so ago Shanna Swendson started a new book series. She called it cozy fantasy, and, she said, “‘Cozy fantasy’ has become a huge trend.”

Whaaaaat? I thought I made that up myself! And now it’s out there, and other people are writing in that genre, and it’s trendy! How cool is that?

So of course I got on the bandwagon (that I’ve technically been on for the last ten years already) and joined forces with my fellow Cozy Fantasy writers. On Sunday, Dec. 29th, Martin Millerson is part of a big Cozy Fantasy sale, the “Cozy the Day Away” sale. For a whole day, a big list of Cozy Fantasy books is on sale, for anything from discounted to downright FREE!

Incidentally, E.L. Bates joined me on the bandwagon, and Magic Most Deadly is part of the sale too. There’ll be some cool books for sale: go check it out!

That’s Life, the Universe, and COZY FANTASY! Check out the sale and find some new books to love.

Happy SEVENTH SON Day!

Happy Tenth Birthday, Seventh Son! That’s right, it’s the tenth anniversary of the day I published my first book child. Ten years since I became a published author!

Hard to believe it’s been that long. But it must be, as the book got a number of younger siblings in the meantime – three more in the Septimus series, one fairy tale retelling (Martin Millerson), and two Christmas novellas. And there are others in the offing.

So, Seventh Son. Here’s what it’s about:

Cat was ordinary—until the day a blue bowl whirled her off to a magical medieval world…

Catriona, ex-librarian, dumped by her boyfriend, is just trying to restart her life when she gets sucked into and carried off by a blue pottery bowl. Suddenly thrown into a world where she can’t move for mysteries, how is this modern town girl going to cope alone in the woods with a comatose man and a muddy baby? And there’s that hint of something sinister…

That’s the book as it stands right now, and it’s still available as FREE EBOOK on Amazon and all your other favourite ebook sites! (At least it’d better be. On Amazon the book price sometimes snaps back to asking for money. If that’s the case, let me know and I’ll get them to fix it; but you can also go to Smashwords and download the free copy for your ereader – .mobi for Kindle, .epub for pretty much all other readers. Or contact me and I’ll send you a copy!)

And now for the big announcement: Seventh Son is getting a makeover! (The book, not the person – he’s fine as he is.) You see, in the ten years since I first published it – thirteen years since I wrote it – I’ve grown as a writer. And I’ve become an editor. So when I recently re-read the book with an editor’s eye, I realized that while I still really like the story, I could make it even better with a rewrite.

But don’t worry, the story itself won’t change! I’m just rewriting some of the language (giving it a stylistic edit, in editor’s terms). Sort of like those “digitally remastered” old movies – same movie, sharper image and brighter colours. And speaking of colours, I’m hoping to eventually put on a new cover, as well. While I love the covers that Steven Novak created for the series (he’s great, highly recommend), I want to change them to something that reflects the tone and genre of the books a little better. But when that happens I’ll let you know.

Meanwhile, I’m really enjoying hanging out with Cat and Guy and Bibby and all their friends again, right there at the beginning of their story. It was the blue bowl that started it all…

Life, the Universe, and Ten Years of Being an Author. Happy Birthday, Seventh Son!

Seventh Son‘s book birthday cake from its first birthday

Taking Fairy Tales Seriously

I’ve been having a bit of a hard time lately, for one reason or another. So I went on the internet to ARD Mediathek (Germany’s public broadcasters’ streaming service) and turned on some fairy tale movies. I needed them, needed that reassurance that the world is a place where things will work out and everything is okay in the end. German and Czech fairy tale films are fabulous in that regard—they come across as so real, the tales are so much part of that culture, you can sink into the story and come out happy at the end.

From Cinderella (1919) by Arthur Rackham

But I was left a little dissatisfied that day. I wasn’t sure why at first. The films I watched were lovely fairy tales, with princesses and magic and intrepid heroes and heroines, and bad guys that were defeated, and a happily ever after. One was called “Der Geist im Glas” (“The Spirit in the Bottle”), and “Die verkaufte Prinzessin” (“The Sold Princess”) was the other.

You’ve never heard of them? Neither had I. That’s because they’re not classic fairy tales. The one claims to be loosely adapted from “motifs of a Grimms’ tale”, the other to be “inspired by Bavarian legends”. Whatever—there’s nothing wrong with adapting tales, or even just taking loose inspiration from existing fairy tales and making something of your own with it.

No, that’s not what frustrated me about those films, as I came to realize the next day after I had some time to think about them. What got my goat about both those films is that they shoehorn “issues” into the story. They clobber you over the head with such matters as feminism and inclusivity and “thou shalt believe in magic”. The characters spout off, in a repeat loop, about how princesses can’t be rulers or girls can’t be miners and oh, it’s so unfair and an issue to be solved; or they heavy-handedly draw attention to the fact that there’s MAGIC in this story and oh, that’s so unusual and the science-minded heroine doesn’t believe in it and needs to learn her lesson (even though she accepts without so much as a blink the wicked spirit from the bottle that’s got them all into trouble).

Don’t get me wrong—it’s not the issues I take, well, issue with. Feminism and inclusivity are a no-brainer, as far as I’m concerned. I have no problem with turning the doctor’s apprentice in “The Spirit in the Bottle” from a boy into a girl, or with casting People of Colour in roles that were traditionally “golden-haired”. That’s all great. But what I object to is using a fairy tale as a vehicle for an agenda, instead of letting it speak for itself. That’s using a delicate instrument as a hammer to pound in a nail.

You see, that’s the whole thing about fairy tales: they don’t need to have anyone superimposing a “lesson” on them! Fairy tales teach and empower without anyone getting on a soap box for the purpose. Jack climbing the beanstalk and outwitting the giant makes us feel like giant slayers ourselves; Cinderella going from drudge to princess makes it possible for us to do the same—without someone preaching at us about having self-confidence, or about the evils of step-sibling exploitation. The stories make their point without spelling it out (“spelling”, haha. See what I did there?). They show what they’re saying, they don’t need to tell.

For several years now I had a quotation on the top of my list of notes:
“Ich glaube mehr an Märchen als an Zeitungen.”—”I believe in fairy tales more than in newspapers.” The person who said that was Lotte Reiniger, the first creator of animated film. That’s right, years before Disney’s Snow White, Lotte Reiniger made stop-motion films from silhouette cutouts (Scherenschnitt, scissor cut, in German), including the 1926(!) feature-length “Adventures of Prince Achmed”. She created many amazing fairy tale films, and she knew what she was talking about when it comes to fairy tales.

From Adventures of Prince Achmend (1926), by Lotte Reiniger/Primrose Productions – Christel Strobel/Primrose Productions (copyright holder), CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=68075134

I believe in fairy tales more than in newspapers. What’s that supposed to mean? It means that what fairy tales* have to tell us has more validity, more truth to it than the ever-changing, deceptive clamour of the news industry.

Using a fairy tale as a vehicle to preach about whatever current “issue” you feel people (in this context, that invariably means “children”) need to be instructed on is to not take fairy tales seriously.

Part of what I love about European fairy tale films is that the tales seem normal there. The film makers find the most likely local castle, put the actors in historic-ish costumes, and start shooting. And because the settings aren’t artificial stage sets, but real places that have weeds growing between the cobbles and lichen on the old wall bricks, the stories themselves seem that much more real – magic and all. We believe the weeds in the cobbles, we believe the magic, and we believe the power of the characters to overcome their problems.

But having the un-real-ness of the story shoved in our faces, be it by one of the characters doubting the existence of magic like any modern product of the enlightenment or by having the actors monologuing about how women should have the same rights as men, breaks the illusion. It breaks the setting, almost like breaking the fourth wall. And the silly thing is that it’s totally unnecessary.

Anything is possible in a fairy tale. If you want to send the message in your fairy tale adaptation that women should have the same rights as men (as they should, of course), and that “a beautiful princess” can just as easily be brown-skinned and black-haired as blonde and blue-eyed (which goes without saying), then just show them having those rights or those looks, and your audience will accept it. You’ve made it normal.

But those issues are not the point of a fairy tale. The point is that the doctor’s apprentice (whether boy or girl) saves the day by outwitting the wicked genie in the bottle; or that the beautiful young ruler (whether fair- or dark-skinned) wins the struggle for the throne against their evil uncle with the help of the young miner who is in league with the spirit of the mountain. And we, the audience, save the day and win the throne right along with them—that is why we love fairy tales and keep coming back to them again and again. If we quietly absorb some new ideas in the process, get some new images planted in our imaginations, so much the better, but for the love of Grimms, keep your didactic bulls out of the china shop.

Take fairy tales seriously, believe in them for the time you’re hearing them, reading them, watching them, and you unlock their power. Relegate them to children’s stories that need to be made more “modern” and “relevant” by preaching on the issue du jour, and you’ve spoiled it.

I believe in fairy tales more than in newspapers: I do, I take my fairy tales seriously.

And they lived happily ever after.

From Cinderella (1919), by Arthur Rackham

*The term “fairy tales” could just as easily be replaced with a generic “stories” here. Fairy tales are a distillation of Story, are “Story Pure”, as it were; it’s not about magic and princes, but about the power of Story. However, that’s a topic we’ll have to save that for another day.

#FridayFragment, 26.01.2024

“I’m not very good at that.”

“No,” said the expert, looking up from his close scrutiny of the issue. He raised the magnifying glass and peered through it at the spot on her chin. “No, you are not, are you.”

“On the other hand,” she said, trying not to feel like a lepidopterist’s specimen, “I’m also not very good at about a dozen other things. That ought to count for something, shouldn’t it?”

#FridayFragment, 1.12.2023

SPELLS

“Heddle,” she muttered. “Warp. Weft. Raddle. Warping board. Bobbin. Shuttle. Harness. Shed, reed, ratchet. Sett, castle, breast beam, cloth beam. Heddle, warp and weft.”

“Stop!” he shrieked. “Stop throwing curses at me! And put down that, that, that spell book!”

She glanced up at him with a mild, enquiring look, then closed the book in her lap with a finger pinched between its pages and turned it over to look at the spine.

In gold-imprinted letters it said THE BEGINNING WEAVER.