Zootopia and The Power of Story

[youtube https://www.youtube.com/watch?v=jWM0ct-OLsM]
I’ve been thinking about the importance of Story again. My friend E. L. Bates recently posted the transcript of a talk she gave at her local library on that topic (read the full thing here, it’s well worth it). “This is what stories do,” she says, “they sink into our hearts and give us the tools we need to live more fully, more richly, in the everyday world around us.” Yes, exactly.

Last weekend, we went to see the new Disney movie, Zootopia. I’d heard that it was good, so while I wasn’t expecting any great profundity of the flick (it’s a Disney talking-animal movie, after all), I went into it hoping to be amused for a couple of hours and not have too many groaner moments. And those hopes weren’t disappointed.

But what bowled me over was the message of the film. That’s right, a Disney talking-animal flick with a message that I actually found really meaningful. And not the standard follow-your-heart-you-can-be-anything-you-want-to-be one, either (which nowadays just causes an eye-roll reflex in me, but that’s a rant for another day). Now, I don’t want to give any spoilers, the movie still being as new as it is. But what I found astounding is that the makers of Zootopia, who have been working on this movie for, I dunno, years, put out a film that hits right smack-dab at the bull’s eye of the current social issues. It’s as if they’d had a premonition of what the political and social climate of March of 2016 was going to be like, and they set out to tell a story that makes its point far more effectively than any sermon or political rant could do.

And that’s something I found profoundly encouraging. Because, you see, young children aren’t going to go to political rallies. And, let’s face it, most of their parents and grandparents won’t, either. But they’ll go to this movie, because it’s Junior’s birthday and you’ve got to do something with that horde of little hoodlums he’s insisted on inviting. So you take them to the movies to see the story of a perky little bunny rabbit from the country who wants to be a big-city cop, and hope that her and her sly-fox sidekick’s adventure will keep the kids quiet for a couple of hours. And in the process, Junior, his friends, and Mommy, Daddy and Grandma, without even noticing it, are being taught some lessons that couldn’t be more important in this moment in history, lessons about the insidiousness of fear and prejudice and of the power of acceptance.

But let me quote E. L. Bates again: “But [the stories] are not instruction manuals thinly disguised as entertainment! Perish the thought! If you set out, in writing a story, to point a moral or teach people something, you have failed before you’ve even begun.” In the case of Zootopia, Disney most certainly did not fail. It’s a well-told story in its own right, full of endearing characters that will enter the Disney canon, with great animation and jokes (including quite a few that will zip right over Junior’s head, but provide Mom & Dad with a good chuckle – including the teensy little Mafioso shrew with his nasal Godfather drawl). We’ll keep watching this film for decades to come for its story, because it’s a good movie – and in the process, its profound message is going to be absorbed into our collective psyche.

The pen (or in this case, film camera) is mightier than the sword – and that is something that can give us all hope.

Life, the Universe, and Zootopia. Story wins again.

Jet Lag, Horse Stairs, Ulrich and Eberhard

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Inner Courtyard, Altes Schloss, Stuttgart

It’s 4:00 AM, and I’m sitting in the living room catching up on my emails. Well, blog posts written by my bloggy friends, rather, while I was in the Fatherland with not-as-much time and internet access as I usually have. So here I am, making my way through about forty mails that accumulated over the last few days. Hello, jet lag, my old friend… (If my comment or “Like” on your blog post arrived kind of late, that’s why.)

I mostly went for a family visit this time round, but I did get in a day of shopping (had to bring home a few goodies, no?), and while I was in Stuttgart popped into the Stiftskirche (Collegiate Church) and the Württembergisches Landesmuseum in the Alte Schloss (Old Castle) in the middle of town, for a nice dose of history.

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The church has a lovely high relief of life-sized sandstone statues of the Counts (Grafen) of Württemberg running down the side of the choir. It’s from about 1580 or so, and shows eleven of the guys, from the 13th century onwards. What cracks me up each time I see it is their names: there’s Ulrich, Ulrich, Eberhard, Ulrich, Eberhard, Eberhard, Ulrich… Except for the last one, who’s a Heinrich. He must have felt a bit left out (maybe that’s why his successor commissioned the sculptures, to prove that he was one of the gang, even though he’s no Uli).

IMG_20160301_133037The Alte Schloss next door to the church is another Renaissance building (it’s the Old Castle, as opposed to the New one a little further over, which was only built in the 18th century). One of the things that’s cool about the Old Castle is its horse staircase. That’s right, horse. Large four-footed critter with hoofs, that people use for transportation. See how shallow those treads are? The staircase is designed so that the nobs could ride their chargers all the way up to the third floor of the castle, right into the banqueting hall. The Renaissance version of a drive-in.

Well, I guess I’ll try to go to sleep for another couple of hours, so I’ll sign off for now.

Life, the Universe, Horse Stairs, Eberhard and Ulrich. Should be over this jet lag thing in a day or two.

Pictures and Pears and Other Randomness

Helen Jones, of Journey to Ambeth, just posted some lovely pictures for her “Thursday Doors” series, of the church in Abbots Langley, Hertfordshire. Take a look, here. I love the way Helen’s pictures can grab me and just, for a few minutes, toss me into another place, right across the other side of the globe. And then, bing, I’m back in my Canadian existence, just a little richer for my tiny little armchair travel experience. (Check out this crazy lapis-lazuli-and-gold swimming pool she posted pictures of the other day. I mean, doesn’t that make you feel like your mind has expanded just a tiny bit, knowing this ludicrously, gloriously extravagant piece of achitectural razzle-dazzle exists in the world?)

One of the things that caught my attention in today’s post, though, was the name of that one and only English Pope, Nicholas Breakspear (who apparently came from Abbots Langley, hence his inclusion in the post). I’d never heard of him before. Now, frivolously-minded person that I am, it didn’t make me think deep thoughts about history – it just set me to wondering if he’s any relation to The Bard. You know, 12th-century Breakspear to 16th-century Shakespeare… Maybe in the intervening 400 years, the family figured out how to wave about their weaponry without cracking it – from Nick “break spear” to Will “shake spear”… [Yeah, I know, it’s bad. I just couldn’t resist.]

Nicholas Breakspear would have been Pope right around the time Brother Cadfael did his sleuthing in Shrewsbury Abbey, and Catherine LeVendeur hers in Paris. As far as I know, those two never did cross paths, although I’m sure they would have got along swimmingly. Neither did Lord Peter Wimsey and Inspector Roderick Alleyn, although by rights they should have – both attended Oxford right around the same time, were younger sons of the peerage, had mothers who read almost like identical twins, and married women involved in the arts/writing scene. And that’s not even taking into account the Scotland Yard connection. Lord Peter’s brother-in-law, Charles Parker, in fact occupies Inspector Alleyn’s chair as Chief Inspector, right around the same time. We must be dealing with parallel universes here; I’m sure Scotland Yard Chief Inspectors aren’t as thickly strewn on the ground as all that. (While we’re at it, Carola Dunn’s Alec Fletcher, the Hon. Daisy Dalrymple‘s husband, is another contender for that Chief Inspector’s chair. That seat must have been one hotly contested piece of furniture in the 1920s.) IMG_20160211_125146

Anyway. To wrap up today’s silliness, here’s a picture of Steve on a laundry basket. Just because you, I’m sure, needed to see a photo of a bear sitting on a household implement today. You’re welcome.

Life, the Universe, Fictional Sleuths, Pictures and Pears. And bears, of course, as well.

PS: Have you put in a pre-order for Checkmate yet? Just eight more days…

PPS: Now that I think of it, none of this has anything to do with pears, just spears. But I like the alliteration.

Required Reading

3268My friend over on Jangled Nerves just let off a blog post on classics – based on yet another post, here, that details “16 Books Every Teenager Should Read in 2016”. So, I toddled over to that post and checked out this list of required reading. I mean, I’m not a teenager – haven’t been one in quite some time (sorry if that bursts a bubble for you) – but if there’s a list of must-reads, I want to know what it is.

And you know what? Of that list of sixteen books, I’ve read all of five, or maybe six. One (or two?) I read under duress, aka Literature Class in school, the other four I read because I loved them. And I pretty much know the Cliff Notes version of several others, which is enough to tell me that I’m not, in fact, interested in reading the full-length feature.

I actually find myself rather annoyed at the title of that original post. “16 Books EVERY Teenager SHOULD Read”. Why on earth should they? Because these are good books? Good grief, if that’s the reason, picking just sixteen is ridiculous. But what’s more, this list is highly subjective. For one, it’s quite US-centric – Gone With The Wind tops the list, but it’s one of those Cliff Notes books for me. No, I haven’t seen the movie either, because frankly, my dear, I don’t give a damn about that story. For another, it’s a girl’s list of books. Sense and Sensibility? Jane Eyre? Fabulous books (they are, of course, on the list of four that I read for sheer pleasure*), but I can just see giving them to 16-year-old boys to read. 19th-century emo chicks mooning over romantic heartbreak – “Oh, Willoughby, Willoughby!” and “Reader, I married him…” – just kill me now. This, coupled with horrifically disturbing weirdness like Kafka’s The Trial (see “reading under duress”, above), is what’s chiefly responsible for turning many, many teenagers off books for life. Thank you, high school English class.

It’s not that I have a problem with this list of books per se – they’re great books, from what I hear. It’s not even that I disapprove of suggesting books for people to read; far from it. No, it’s the dogmatic headline, the “Thou Shalt Read This” that gets my goat. Because like every really voracious reader, I want to make up my own mind on what to read. And I think teenagers should be making up their own minds, too.

I never filled my children’s plates with food and then insisted they finish every last bite. I did (and still do) insist that they eat some vegetables with their dinner – but I don’t cook them spinach, because I know they hate it. I quite like cooked spinach, thank you very much, but if the kids would rather have it raw with salad dressing, so be it. There is no law that says “Thou Shalt Eat Thine Spinach Cooked”, nor is there one that says “Thou Shalt Read Kafka”. There are far too many good books in the world to force people to read according to a predetermined list. The ticket is to offer the veg, to suggest the book titles. I love Jane Austen – but if you don’t, why not read Sir Walter Scott instead? Ivanhoe is a darn good yarn.

Life, the Universe, and Books You Ought To Read. But only if you really want to. When you’re done all those other great books you’re reading at the moment. And the ones your friends suggested. And that one that just jumped at you from the bookstore shelf. And… Ah, never mind – just keep reading. And let me know when you hit on a good one, I’ll add it to my list of books to check out. I might get to it when I’m 80.

*PS: the other book from that list, the one I’m not sure if I’ve read or not, is Death of a Salesman – I remember being forced to read some kind of weird gloomy drama in undergrad English class; it might have been that. You can tell it made a big impression on my life. The other two I loved were, of course, The Horse and His Boy, and The Hobbit.

Goodbye, Colonel Brandon

You’ve probably heard it by now: Alan Rickman died this morning at age 69. For most people, it’ll probably mean “Goodbye, Severus Snape”, but for me, it’s “Goodbye, Colonel Brandon”. That’s the first role I ever saw him in, and the one I’ve watched most often, over and over – Sense and Sensibility is only one of my top ten favourite films. I love it so much, I’ve written grad school papers on it – including a fairly detailed analysis of Rickman’s Colonel Brandon compared to David Morrisey’s version in 2008.

Rickman was the master of the black flapping cloak – an ability he rocked as Snape, of course, striding through the halls of Hogwarts with his gown swirling out behind him like the wings of an overgrown raven. But Colonel Brandon is no slouch in that department, either. “Give me an occupation, Miss Dashwood, or I shall run mad,” he begs Elinor in a broken voice, convulsively clutching at the wood panelling outside the gravely ill Marianne’s bedroom (the stage directions say “He is dangerously quiet”). Elinor (no doubt thinking that the last thing she needs now is an emo going off his rocker) sends him off to get her mother. He slams out of the house (cloak swirling), flings himself on his horse, and after one last desperate glance up at Marianne’s window from under his wide-brimmed brigand’s hat digs in his spurs and rushes off, ventre à terre, cloak flapping, to find relief for his beloved. We next see him galloping at full speed across the brow of a hill, silhouetted against the evening sky, his cloak – you guessed it – “billowing out behind him” (that’s in the script, verbatim) in the most impressively romantic manner.

Rickman’s interpretation of the character (going off Emma Thompson’s script) imbued Colonel Brandon with a romanticism that simply isn’t there in Austen’s book. Andrew Davies took this interpretation even further with his script for the 2008 miniseries – David Morrisey’s Col. Brandon is not only romantic, he is heart-throbbingly heroic – but he could not have done this had it not been for the Thompson/Rickman version in 1995. Scene after scene of the 2008 version is directly cribbed from the 1995 one: Brandon as music lover struck speechless by Marianne’s piano playing; Brandon as sensitive lover bringing Marianne thoughtful gifts; Brandon, frantic with worry, rushing out into the rain storm to find a wet-through Marianne and carrying her home in his arms… None of those scenes are in the book (Seriously! I know – they’re my favourites, too…). But once Rickman had embodied a Colonel Brandon who did these things, Marianne’s lover had become a romantic hero, and the flapping cloak was de rigeur.

[youtube https://www.youtube.com/watch?v=MhI3lWxArCU]

So what could be more fitting as a tribute to the great man than this song, the scene that introduces Colonel Brandon to the film? “Weep you no more, sad fountains / Why must you flow so fast? …  Rest you then, rest, sad eyes, / Melt not in weeping / While [he] lies sleeping / Softly, now softly lies / Sleeping.”

I will miss Alan Rickman – but I’m so glad that we will always have his Colonel Brandon.

Cat Taffy and Other Randomness

IMG_20151201_121726Johnny melted on the old couch in front of the fire, and pulled himself out into a long string of kittycat taffy (honestly, he’s not dead, just stretched out on his back). What is it with cats and heat? Both of ours will curl up in the warmest spot they can find (or stretch out in it, as it were), and as they don’t really like each other very much, there’s frequently a bit of “Nya nya, I got the spot by the fire first!” going on. I tell them to cut out the bickering, but they don’t listen to me.

IMG_20151201_134831Steve has been feeling a bit neglected lately, what with me having my head in NaNoWriMo and all. And, oh, yeah, I won! Meaning I got my 50,000 words written. The story isn’t quite finished yet, but it won’t take a whole lot more. Anyway, so here’s Steve guarding my new dictionaries. The Canadian Oxford one is a humdinger of a tome – the nitpicker’s self-defense weapon: “You want to disagree with me about the spelling of ‘colour’? Well, take that, you ignorant!” [Whap, bang…]

And to wrap up today’s round-up of randomness, here’s the lovely NaNoWriMo poster I won at the kick-off meeting we had back at the end of October. IMG_20151023_092957 (1)Do you know that it’s really hard to write “wrap-up randomness” without either dropping the w from “wrap” or adding a spare one on “random”? I had that problem a lot with my NaNo novel. The phrase “the arm ring on his wrist” occurs in it a lot (far too often, in fact – I’ll have to take the machete to it when it comes to editing), and almost every time, I ended up typing “the arm wring”.

Enough drivelling for today (and that’s “drivelling” with two l’s, not one, thank you very much. I’ve got ten pounds worth of dictionaries to back up that point).

Life, the Universe, Cat Taffy and Other Randomness. Tell Steve to stop glaring at me.