Biscuit, Biscuit, and Biscuit

I was reviving my refrigerator micro-pets, aka waking up the kefir and the sourdough which usually languishes in the back of the fridge. Twice-daily feeding of the critters makes for a fair amount of excess sourdough. There’s only so much bread you can bake, and it usually takes all day, which is inconvenient – so what to do with the stuff? I could just dump it in the compost, I suppose – and I’ve done just that, too. But it’s wasteful, so really a last-ditch thing to do (haha, see what I did there? Last ditch, ditching the sourdough. I’m so funny).

Also, due to one thing and another, I was feeling in need of something very basic, old-fashioned to do, something nourishing, something non-electronic.  Sourdough baking fits the bill.

And I’ve got all this lovely fresh strawberry jam from yesterday – what to put it on? Biscuits, methinks! So I booted up Google (yes, I’m aware of the irony this creates with the preceding paragraph), and found a nice recipe for sourdough biscuits.

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They’re really just ordinary baking powder biscuits with sourdough by way of liquid and some baking soda added, but the sourdough does give it a nice tang. Feeling retro-nostalgic (i.e. longing for a past that I never experienced, when everything was simple and children frolicked in meadows while birdies tweeted in trees instead of people on the internet), I got out the cast iron and baked the biscuits in the 12-inch Lodge skillet. Which, incidentally, worked extremely well; I’ll definitely use the cast iron for baking pans again.

But while the biscuits were merrily baking away, I got to thinking about the word “biscuit”, and how it means something completely different in different countries.

First (or, actually, last – but we’ll get to that in a moment) there is the American meaning, which is the sense I’m using it here, in my trusty Lodge cast iron. American biscuits are medium-sized little soft baking powder cakes or buns – about 3″ across, 1 1/2″ thick, not very sweet, and always, always eaten as fresh as possible, preferrably still hot. They’re a lovely accompaniment to stew or soup, and yes, quite nice with butter and fresh strawberry jam.

Then there’s the English biscuit – what Americans call a cookie. If I’m not mistaken, an English biscuit is most commonly crispy, with a nice crunch to it, suitable for dipping in cups of tea. Also delicious.

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Marguerite Patten, Step by Step Cookery, 1973

And then there’s the German Biskuit (pronounced bis-quit), which is the same as the French biscuit (bis-quee). It’s what English-speaking people would call sponge cake – a soft, light cake batter with lots of eggs, made by separating egg yolks and whites, whipping the whites to stiff peaks, and very carefully folding everything together. It’s the basis for many of the amazing cream cakes and tortes Europe is famous for (a proper Black Forest Cake, for example, is usually a chocolate Biskuit with cherry filling, kirsch, and whipped cream – none of that fake pastry cream concoction American supermarkets deign to call by that name).

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Dr. Oetker, Backen macht Freude, 1987

Now, my guess is that the journey of the word meaning actually went in reverse order from the one I have here – from Latin to French, thence to England, then with the Pilgrim Fathers to the New World where savoury sourdough biscuits were easier to produce in the campfire dutch oven than tea-dipping shortbread fingers. But that’s entirely uneducated guesswork on my part; don’t go quoting me in papers on the history of food.

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Incidentally, there’s also the word “bisque” or “biscuit firing” that potters do – the first firing of the pots after they’ve dried; it’s followed by the glaze or glost firing. “Biscuit” literally means “twice-baked”, so it’s far more apt here than in cooking. Potters also sometimes use biscuits, or cookies, in the kiln – flat discs of unglazed clay to prop smaller items up during glaze firing so if the glaze runs the item doesn’t get glued to the kiln shelf. But I think in that case, the “biscuit” refers to the shape of the thing, not it’s twice-baked aspect. The same goes for a biscuit joint in carpentry, where a small round disc is glued into a slot, holding two adjoining pieces together.

And now the timer on my stove tells me that my cast-iron-baked sourdough bread is ready to come out of the oven, so I’ll leave off my biscuitual musings and see to my loaves.

Life, the Universe, and Biscuits. Pass one over here, please – I don’t care what kind.

 

 

Jill of All Trades

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Way back, when I first started blogging, I took a blogging course. If you want readers, the teacher said, make your blog be about something. Have a focus! But I didn’t. Because I can’t.

There are lots of blogs that are about one thing, and one thing only. I have friends who write about sewing or knitting. There’s several blogs I follow that are all about fairy tales (like this, or this one). Writers, of course, have blogs about writing. There are great blogs about food (incredible numbers of them! reams of them! mountains of them!). Or Jane Austen. Or photography. Or Norfolk in the 18th century.

To be honest, I feel a bit inferior to those bloggers, if not a bit jealous of them. They’re serious about what they’re doing. They have lots of followers. They know their stuff; their blogs are interesting. But mine… Well, there’s food. And fairy tales. And photos. And Austen, and writing, and pottery and soap-making and history and gardening and cats and herbology and musings on mental health; and then the occasional interlude with a small stuffed bear (he’s been there from the very beginning).

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Chive vinegar I made yesterday

Stick with one thing? I’m sorry, I can’t. Never have been able to. No, I don’t have ADHD (Squirrel!) – more like CCS, Chronic Curiosity Syndrome. There are just too many interesting topics out there for me to restrain myself to just one. I’ll get bitten by an interest bug, and then I’m utterly passionate about it for a while – and then I lose interest, and move on to something else.

Some fifteen years ago, I was crazy about fish – as in, aquaria, not the kind you cook. I’d haunt the pet shops, drooling over the nice setups with the 30-gallon tanks and live plants. A few years before that, it was heirloom sewing and embroidery – hand-stitching clothes with no sewing machine whatsoever (I made some tiny little night gowns for my new baby, and a couple of rag dolls). Cooking. Quilting. Bread making. Soaping. Painting (both walls and pictures – the latter in watercolour, oil, acrylic, pastels…). English history. Calligraphy. Jewellery making. Dollhouses. Furniture building. Art history. Guitar (and recorder, percussion, harmonica; even a tiny bit of piano and pan flute…). Growing herbs, and using them for food and medicine. Been there, done that, all of it; and plenty others besides.

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“Very Small Ink People”, 2011. Ink & Watercolour, 8×10″.

I am, indeed, a Jill of All Trades. But you know the rest of that saying, don’t you? Jack of all trades, master of none. That’s because Jack never sticks with anything long enough to get really good at it.

That’s me – there’s a lot of things that I know how to do or know something about, but it’s all at the level of a first-year apprentice. I play guitar quite well, but nobody would come to hear me in concert. I can paint, but no one is beating on my door begging me for another piece to add to their collection. I’m a darn good cook, even if I say so myself, but I’m not about to open a restaurant. I can make pottery dishes, but they’re none of them exactly the same size or shape, or else great one-off pieces of art. I’m a mine of trivia on history and Jane Austen and fairy tales and herb lore and folk customs, but I’m not going to write books on any of those topics.

Well, maybe not books – but I can write blog posts. Snippets of any and all of these things. That’s why this blog is called “amo vitam” – “I love life”. Some of everything. Jack of all trades, master of none.

Actually, I do have a Master’s degree. But guess what it’s in? I’m a Master of Arts, in Integrated Studies. I got a degree in not making up my mind; I’m a Master of Some-of-Everything-Please. Jill of All Trades, Mistress of Mixed Pickles.

And so that’s what this blog is, too: a great big crock of mixed pickles. (Hmm, crock. Sauerkraut. I want a Sauerkraut crock, one of those straight-sided buff stoneware ones, for making and storing homemade Kraut like they did in the Old Country. I should make myself one. Let’s see… Oh! Oops, sorry, where were we? Right, blog. Mixed pickles.) Yes, I know that it won’t make my blog one of those go-to ones for expert information; that it won’t be one of those sites that people quote in academic papers. And you know what? I think I’m okay with that.

Life, the Universe, and Everything. It’s always been about that.

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Steve and some patriotic flowers.

 

Writers in Conference

I got to go to the Writer’s Conference, Word on the Lake, this past weekend. Now that I have (mostly) recovered from the excitement and adrenaline high, here are a few pictures:

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The dock on Shuswap Lake next to the hotel
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We stayed at the hotel; Steve got a bed all to himself
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Steve and me watching old Star Trek on TV in our room. He thinks Captain Kirk is silly.

I got to have a blue pencil (critique) session with Gail Anderson-Dargatz, an award-winning internationally bestselling author who just happens to live in the area. Gail is amazing. She went way beyond what is expected from a blue-pencil-er (blue pencil provider? critiquer? whatever that’s called). Her input was encouraging, illuminating, challenging, and informative, but aside from that, she’s just a great person to talk to. We got along like a house on fire (at least that’s how I felt), and largely thanks to her I came away from the weekend feeling that much more like a “real” writer. And of course I bought her latest book, The Spawning Grounds, and got her to sign it for me.

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Books and a CD by some of the presenters

And here comes the great big shoot-up-the-fireworks highlight: I won an award. That’s right: I got first place in the non-fiction category of the Word on the Lake Writing Competition! I got a cash prize, but even better, my story of how I immigrated to Canada (“Canada” being this year’s theme) was printed in the contest anthology. I’ve been published!!! It’s just a small little book, nothing all that amazing – but you know what, to me it is amazing. It was all very exciting. There was a banquet with lovely food and entertainment, and I had my hand shook and all, and got a beautiful certificate to take home.

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My award! And my story in print!
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The first-place winner in the poetry category performing his poem (song).

I had a sales table in the foyer during the conference where I tried to flog my books and/or get more editing clients, luring them with candy. The success rate was, shall we say, indifferent (i.e. I only sold one book, to a friend, and gave one away), but hey, having the table made for some good networking. Which is what a conference of this kind is all about. Plus, I gave people sugar. Muahahah!

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Me trying to lure readers and editing clients with candy.

Of course all of that was only part of it. There were so many learning opportunities in the amazing workshops – “How to Get Your Book Noticed” (by Gail), “Effective Book Proposals” (by Anna Comfort-O’Keeffe, a professional editor), “The Importance of Setting in Fiction” (by the very funny and Irish Patrick Taylor)… and another by one of the writers for Murdoch Mysteries, in which we learned how a mystery show episode is written (I’ll never watch TV shows the same way again). I came home with my head full to bursting; I still haven’t quite settled down to everyday life again.

Life, the Universe, and a Writer’s Conference. I’ll be processing the experience for quite some time yet.

Crackpots

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One of the great things about pottery is that clay is very forgiving. Every potter has a slop and trimmings bucket sitting by their wheel, and when you’re in the early stages of your pottery skills acquisition, most of what you attempt to make ends up in there as well. But you haven’t wasted anything at this stage – you just let it dry out, re-wet it, wedge (=knead) it back together, and you’re back in business. So all those crackpots you have on the shelf? As long as they haven’t been fired, you’re good – chalk it up to practice.

Here are Guy and Cat on the subject, from p.95 of Seventh Son. This is the first time Cat is in his pottery shop with him:

Guy was in the corner of the room, by the drying shelves, examining the cups and lids Cat had looked at the previous day. He looked up as he heard the shop door creak and raised his eyebrows in greeting as he saw Cat.

“These are ruined, I think,” he said, gesturing at her with one of the lids without a handle. “Too dry now to put the knob on. Ah well, we start again.” He chucked the lid into a bucket which sat on the floor between the wheel and the shelf and was filled with dried-up pottery pieces. It hit the contents with a dull thwack, and broke. Cat gasped—did he so casually discard his work? Guy looked up at the sound and gave her his crooked smile.

“There’s plenty more where that came from,” he said, sending half a dozen partially dried cups without handles after the lid. “It’s not a waste; I’ll reuse it. As long as it’s not fired, the clay can be re-wet over and over and made into new things.”

“Couldn’t you salvage these? Seems a shame to throw them out!”

“No, the handles won’t stick now; they’d just crack off during drying—or worse, after they’re fired, and then it really would be a waste. There’s not much use for a fired cracked pot. And, believe me, these aren’t a great loss; I can easily make more. Besides, sometimes this”—he narrowed his eyes, and hurled another cup into the bucket with extra violence—“can be quite satisfying.”

The cup shattered into a dozen pieces.

If you want to know what happens next (hint: something pretty dramatic!), just get a copy of the book. It’s free to download!

Life, the Universe, and Reclaimed Clay. It’s all highly symbolic.

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