Crackpots

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One of the great things about pottery is that clay is very forgiving. Every potter has a slop and trimmings bucket sitting by their wheel, and when you’re in the early stages of your pottery skills acquisition, most of what you attempt to make ends up in there as well. But you haven’t wasted anything at this stage – you just let it dry out, re-wet it, wedge (=knead) it back together, and you’re back in business. So all those crackpots you have on the shelf? As long as they haven’t been fired, you’re good – chalk it up to practice.

Here are Guy and Cat on the subject, from p.95 of Seventh Son. This is the first time Cat is in his pottery shop with him:

Guy was in the corner of the room, by the drying shelves, examining the cups and lids Cat had looked at the previous day. He looked up as he heard the shop door creak and raised his eyebrows in greeting as he saw Cat.

“These are ruined, I think,” he said, gesturing at her with one of the lids without a handle. “Too dry now to put the knob on. Ah well, we start again.” He chucked the lid into a bucket which sat on the floor between the wheel and the shelf and was filled with dried-up pottery pieces. It hit the contents with a dull thwack, and broke. Cat gasped—did he so casually discard his work? Guy looked up at the sound and gave her his crooked smile.

“There’s plenty more where that came from,” he said, sending half a dozen partially dried cups without handles after the lid. “It’s not a waste; I’ll reuse it. As long as it’s not fired, the clay can be re-wet over and over and made into new things.”

“Couldn’t you salvage these? Seems a shame to throw them out!”

“No, the handles won’t stick now; they’d just crack off during drying—or worse, after they’re fired, and then it really would be a waste. There’s not much use for a fired cracked pot. And, believe me, these aren’t a great loss; I can easily make more. Besides, sometimes this”—he narrowed his eyes, and hurled another cup into the bucket with extra violence—“can be quite satisfying.”

The cup shattered into a dozen pieces.

If you want to know what happens next (hint: something pretty dramatic!), just get a copy of the book. It’s free to download!

Life, the Universe, and Reclaimed Clay. It’s all highly symbolic.

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Monday Meanderings: A Thaw, and News from the Writing Trenches

A few days ago, just after that big snowfall, a thaw set in. The roads are mostly clear – where they aren’t icy from melting snow running across the pavement – and the sunshine is brilliant today. I rambled up into the woods earlier and stood for quite some time next to the wrecked car, looking out over the white expanse of the frozen lake and thinking, to the sound of the twittering of hopeful birds and the drip-drip-drip of the thaw. And then a row of Canada geese flew over the lake, honking. I like Canada geese; they’re so very – I don’t know, Canadian.

img_20170213_130807229_hdrI thought of many things (though shoes and ships and sealing wax were not among them), and some were trivial, some profound. One was that I needed to make a new gmail address with the periods removed from between the words, and when I came home and tried it, it turned out that gmail had already done so for me – apparently a.m.offenwanger is the same to Google as amoffenwanger. Who knew?

Oh, and I was going to give you some News from the Writing Trenches. I’ve been working on my latest piece, off and on, although it’s been very slow going since the end of NaNo. But it does still go. As for Star Bright (Septimus Book 4), it’s in the revision stage. I’d like to finish writing one book before I edit another – but maybe that’s not a feasible idea. There are a few other pieces that need editing; some short stories among them. And I’m hoping and/or planning to write more shorts to submit to contests or magazines.

img_20170213_130750170_hdrSo, all that to say, yes, I am still working on my writing – although sometimes it feels like I do more talking about writing than actual writing. However, writing blog posts is writing, too, isn’t it? And then there’s all those pictures I’m accumulating on my phone – worth a thousand words each, right? Okay, maybe not. So on that note, I’ll sign off now and go do some real writing.

Life, the Universe, and Monday Meanderings. Spring is on its way.

Cobblestone Fantasy

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We had a meeting of our local NaNoWriMo group this morning. We call it a Write-in, but it’s really more of a Yack-in. It’s just exciting to get together with a whole bunch of other crazy Wrimos and jabber on about how insane this is, and how difficult to find the time, and “Did you get your word count so far?” and “What are you doing about an outline – are you a plotter or a pantser?” And of course, the big question: “What are you writing this year?”

And in the course of that latter discussion, one of us coined a new term. They’re writing fantasy, and we asked if it was set in a classic medieval-style fantasy world. And they said, “Yes, cobblestone fantasy.”

Bam, on the nose! That’s such an awesome term, it needs to be put in the dictionary of genres. “Cobblestone Fantasy: n., fantasy fiction set in a traditional medieval world.”

That’s what a lot of my stories are. See, there is, just to mention a few flavours, “Urban Fantasy” (think Twilight or maybe even Harry Potter – fantasy in a modern setting), or “Steampunk” (generally set in an alternate-reality Victorian-type age), and then there’s the big classic of them all, “Sword & Sorcery”, which is the Lord of the Rings style of fantasy with a pseudo-medieval European setting.

But my books, as a rule, are generally not set here & now (at least not as a whole); they don’t deal in Victoriana; and they have no swords and practically no sorcery. But they do have cobblestones. Almost every single one has cobblestones in it somewhere, if not actually described, then implied. Cobblestones, and open hearths, and horse-and-carriage travel; porridge for breakfast and stew for dinner, cloaks and gowns and market days with vendors in market booths (on a cobble-paved market square, of course).

So, next time someone asks me what I write, I’ll tell them: “Cobblestone fantasy!” Because that nails it.

Life, the Universe, and Cobblestone Fantasy. We’ve coined a new term.

They’re at the Library!

Look at what my good friend and fellow author Lee Strauss posted this morning on Facebook: She got my books from the library!!! Isn’t that exciting? Now I’m a real author (because, Library!).

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And here they are in the library’s catalogue. Impressive, eh?

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It quite tickles my fancy to see them catalogued like that, with proper Library of Congress subject headings (Magic — Fiction; Fantasy fiction) and call number (F&SF OFF). See?

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Incidentally, it really helps an author out to get their books into libraries. Most libraries have a “Suggestion for Purchase” feature, where you can tell them what books you’d like to see on the shelves (and usually, you’ll be the first one to get a copy to read once it comes in). So if your library hasn’t got the Septimus Books yet – what are you waiting for? Ask for them! 🙂

Life, the Universe, and the Septimus Books at the Library. Cat would heartily approve.

Seventh Son on Sizzling Summer Sale (or Something)

It’s summer! You need a beach read! (Or, if you’re in the Southern Hemisphere: It’s winter! You need a book to read by the fire!) So, here’s your Sizzling Summer Sale – better yet, it’s not a sale, it’s a FREEBIE!! You can get your very own e-copy of Seventh Son for utterly, totally and completely FREE!!! All you have to do is hoof it over to your favourite ebook vendor and click the “download” button. So go ahead, what’re you waiting for?

 

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Here it is on

Amazon

Smashwords (all ebook formats)

Kobo

Nook

iBooks

Life, the Universe, and a Sale on Seventh Son. Go get it, read it, then let me know what you think!

 

Camp NaNo, Once Again

cnw_participantJust three-and-a-half more weeks, and April’s Camp NaNoWriMo will be upon us! I just went and built us a cabin, so if you want to join the Word Count Slayers (that’s our cabin name. I know, right?) hop on over to the Camp NaNoWriMo site, make yourself a profile (if you haven’t got one yet), create a project, then let me know your username (either in the comments, or shoot me a mail at amo@amovitam.ca), and I’ll invite you.

The nice thing about Camp NaNoWriMo is that the word count on it is flexible, so you don’t have to aim for the 50,000 words that the full-sized November NaNo requires. As a matter of fact, you don’t even have to write a novel at all – you can work on whatever writing project suits your fancy. For last year’s July session, I spent the time editing Checkmate. This April, I’m planning to work on Star Bright, Septimus Book 4.

So, come on, I dare you! Pillow fights, marshmallow roasts, ghost stories at night (and they’re good ghost stories – we’re writers, after all!), and best of all, friends to hang out with! That’s been the really awesome part: I’ve made real friends during Camp NaNoWriMo (not to mention any names, Kate and Kara and Zach and Judy and Amanda and Whitney and…). Can’t wait for April!

Life, the Universe, and Camp NaNoWriMo. Who’s up for a campfire singalong?

Chess, and Some Very Special Pieces

So, you know that Checkmate just came out, right? Of course you do, and you’ve already downloaded your ebook copy. And because you have, you know that it prominently features a chess game.

Oh, you mean you hadn’t got that far in reading the book yet? Sorry, didn’t mean to give any spoilers! But honestly, I’m not giving anything away by telling you that. I’m sure that even without getting to the part  about the game, you’ve figured out that the story has something to do with chess – because you’re brilliant like that, and put 2 and 2 together, i.e. deduced that the title Checkmate and the chess piece on the cover picture mean there’s some significance to chess here.

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However, the chess knight on the cover is actually a tiny bit misleading – it’s the wrong style. If I’d had my druthers, the image that would have been on the cover is that of the Lewis Chessmen, a 12th-century ivory chess set that was discovered on the Isle of Lewis somewhere around 1831 and is on display in the British Museum now. The chess set in the book is modelled on them. But I couldn’t find any royalty-free images of the Lewis Chessmen, so we just went with a vaguely antique-looking ordinary chess piece for the cover.

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The Lewis Chessmen © Trustees of the British Museum

One cool & nerdy thing about the Lewis Chessmen is that they were used as the model for the chess set that Harry and Ron play at Christmas in the first Harry Potter movie, where the pieces clobber each other over the head instead of being tamely taken off the game board. I’d like to get me one of those sets…

But it would only be for display. You see, the funny thing about me writing about a chess game is that I don’t really know much about chess, myself – I know how the pieces move, and that’s about it. But fortunately, I’m married to someone who makes up for my deficiency, and so my Man alpha-read Checkmate and then set about fixing all my chess-related bloopers. He sat down and designed a chunk of game that worked with the plot as I had it, step by step. Here’s one of the configurations of the model game:

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You can see his notations in the background. This is from where I rebuilt the game while I was editing, so I could get an actual image in my head of what was going on. And yes, I learned to read chess notations – who says writing fantasy fiction isn’t educational?

So that’s a little background piece on Checkmate, how it came to be written, and some of its imagery.

Life, the Universe, and – Checkmate! Have you got your copy yet?

Changing the Label

Covers1-4CompositeI’ve been re-reading Seventh Son and Cat and Mouse, the print copies, no less. It’s been long enough that I can look at them with fresh eyes and a little bit of distance. (In the case of Checkmate, I’ve gone over it so many times in the last months that I have it practically memorised, and you know what they say about familiarity and contempt. I still find it hard to wrap my head around the fact that these characters, whom I’ve lived with for more than a year now, are still total strangers to you – you haven’t even met Rhitha yet, when she’s been a reality to me for so long… Well, just another four days, and you’ll get to know her!)

So, in re-reading the books, I’m seeing them a little bit differently. I’m spotting the odd tiny inconsistencies here and there that had escaped me before (and I’m not telling you what they are; you’ll have to find them for yourself. If you don’t, so much the better). And one of the things I’m rethinking about this series is its designation.

I’ve previously loudly protested that Seventh Son is not a YA novel. Cat (the main character) is 28 years old; she’s an adult, not a “young adult” (aka “teenager”, which is what YA translates to in book business parlance). However, when I first published the book, readers kept thinking it was a YA. One friend said it sounded like the books his daughters brought home from the high school library; several real-life teens read it and said they liked it; and I repeatedly got the label “sweet” for it. I was starting to react a bit (okay, a lot) to that epithet – “sweet” can have an undertone of “nauseating” (although, to be fair, none of the people who used that label for my books meant it in that way at all – that’s purely my own reaction to it). But I’m starting to come around to accepting that word, and, furthermore, changing my mind about the label that would fit the Septimus Series best.

It’s not only that Seventh Son is a “sweet romance” without “adult content”. The further along I get in the series, the more young characters keep popping up. Seventh Son is about adults in their late 20’s (and a small child). But Cat and Mouse prominently features a couple of young teen boys. Checkmate‘s main protagonist is an 11-year-old girl. And Star Bright, which is in the works, is centred around an 18-year-old guy fresh out of high school. Kids proliferate, and the more the series grows, the more we get inside their heads. Cat is still always one of the point-of-view characters, but we get to hear more and more from young people. I can’t help it, they’re asking to be written!

I figure I might as well admit to it: the Septimus Series is a YA series. I wrote (am writing) these books to suit myself – they’re books I would enjoy reading (actually, at the risk of sounding conceited, I am enjoying reading them. It’s a very satisfying thing when you like your own work. Much as I like my own cooking, which my waistline can attest to). I’m not a “young adult” by any stretch of the imagination; all the grey on my head would prove the contrary, were I inclined to argue the point. But I love books about kids (small or big), or traditionally classified as being for kids – many of my favourites come from the YA and JF (Junior Fiction) shelves of the library. In fact, I practically never browse the “General Fiction” shelves; it’s either YA, JF, MYS (Mystery) or SF&F (Science Fiction & Fantasy). So I suppose it’s no accident my own writing falls into these categories.

So, I’m changing the label. If you’re going to suggest the Septimus Series for purchase at your local library (please do!), mark it as a YA, so it comes to the attention of the right librarian and lands on the right shelf. And then forget about the sticker on it, and just read the books for enjoyment. What’s in a name? A series, by any other name, reads just as well…

Life, the Universe, and a new label. Just four more days to Checkmate!