It’s Another Book!!

CatMouse_CVR_XSMLAnd here it is, the moment you’ve been waiting for: IT’S ANOTHER BOOK! CAT AND MOUSE, Book 2 of The Septimus Series, featuring further adventures of Catriona, Guy, Bibby, and Sepp – and introducing Cat’s best friend Nicky! Also introducing a whole lot of mice, a number of cats (one of them with only three legs), and more people who are going to be pretty important – but I’m not telling you too much about them yet because that would be giving things away.

Here’s the official blurb:

A silent young boy, a man like a rat, and a plague of mice—Cat has her work cut out for her.

It’s hard enough for Catriona, an ordinary modern woman, to get used to living in a magical medieval world, even without having mice pop up at every turn. Good thing Cat isn’t as squeamish about rodents as her friend Nicky, who has her own issues to cope with back in the regular world. What does the man with the twitchy nose want with young Ben, Nicky’s ward? And does the mouse plague back in Ruph have anything to do with the new apprentice Cat’s husband has taken on—the boy who won’t speak?

This book is now available:

on Amazon.com and .de for Kindle and in print

Amazon.ca for Kindle (print hopefully coming soon)

Smashwords for all other ebook formats

Createspace in print

CAT AND MOUSE – go get it now!

What SEVENTH SON Is Not

SeventhSon_CVR_XSMLThe other day someone asked me, once again: “Did you write Seventh Son?” Well, yes, yes I did. However, that’s actually not what they’re asking. They don’t want to know if I wrote a fantasy novel called Seventh Son; it’s something else they have in mind. And so, to answer that question, let me enlighten you about what my SEVENTH SON is NOT.

My novel is not the source text for the movie Seventh Son that is coming out next week (well, in North America it is; the release date is February 6th). The film has been several years in the making,  and stars Ben Barnes (heartthrob!) in the lead role. The source book (or, as they put it, “inspiration”) for that movie is actually not even called Seventh Son, but The Last Apprentice: Revenge of the Witch (original UK title: The Spook’s Apprentice), and it’s written by Joseph Delaney.

Another book my Seventh Son is not is the 1987 novel of that title by the great Orson Scott Card. His book is the first in his series The Tales of Alvin Maker (which he still hasn’t finished, as far as I know).

Hmm, now that I look it up, it appears there’s another work called Seventh Son I was unaware of – a 1926 silent film from Germany. I’ll  have to check that out; maybe Youtube has it.

So, just for the record: none of these stories are mine. And I’m not ripping off any of their ideas, either. In fact, I had written the text and decided on the title of my book before the forthcoming movie was even filmed; and didn’t read the Card book until several years later. Really, what all these stories, mine included, have in common is the old folklore trope that the seventh son of a seventh son has special powers – magical ones, generally. And that’s about all that’s similar, other than the title.

My book is a light romantic fantasy (well, yes, they’re all fantasy stories) about a young woman named Catriona, who looks into a turquoise pottery bowl and suddenly finds herself whisked off to a magical medieval village called Ruph in which the – you guessed it – seventh son of the seventh son has just gone missing, and she has to figure out not only how she ended up where she is and how to get out of that predicament, but what’s been happening in this town. I call it a Cosy Fantasy – you know, like a Cosy Mystery, but in a fantasy environment.

Card’s and Delaney’s stories are much more classical fantasy. Delaney’s would probably classify as Sword and Sorcery – well, definitely the sorcery bit (there’s a very nasty witch); while Card’s is the alternative-history variety – a different 19th-century USA with magic. The stories are darker than anything I would ever write; actually, they get darker yet as the series progress – I gave up on Delaney with the second book, and on Card with about the third volume. They’re well-written books, but I don’t enjoy reading that sort of thing, let alone writing it.

However, “dark” is a matter of definition. Both Delaney’s and Card’s “Seventh Son” stories are also Young Adult novels, at least these first books in the series are, in that the protagonist, the seventh son of the seventh son, is a young boy – twelve years old in the case of Delaney’s Tom Ward, even younger in the case of Card’s Alvin Maker. So what I call “dark” here is really very mild, by fantasy standards – it probably wouldn’t even warrant the term for most readers (yeah, well, I’m super-sensitive. So sue me).

And that’s another thing my book is not: a YA novel. My Catriona is not a teenager, she’s twenty-eight; and the Seventh Son in question is not a twelve-year-old, but right around Cat’s age, too. But that’s not to say that YA readers wouldn’t enjoy the story; in fact, I have it on good authority (i.e. word of mouth/keyboard) that several of them already did.

Incidentally, the movie that’s coming out is not a YA, either. The screen version of Tom Ward is most emphatically not twelve years old – in fact, Ben Barnes is over thirty. I have a feeling the movie might not have a whole lot to do with Delaney’s book. But whether it’s dark or not, I’ll have to go see that film; gotta check out the competition, dontcha know. But more importantly, while I’m a big fan of BB’s, there’s another young actor in that movie I can’t wait to see on the big screen: Lilah Fitzgerald, who plays Tom’s little sister Cate – I’ve met her in real life, although she probably doesn’t remember it (she was quite small then). Her mother is a friend of mine.

When I first heard that a movie with the title Seventh Son was coming out, I seriously considered changing the title of my book (I was going to go back to Septimissimus, which was its working title). But then I thought, No. I picked it first. Actually, Orson Scott Card picked it first, and they didn’t ask his permission about the movie title, as far as I know. Titles aren’t copyrighted, you can use whatever you want. And the basic idea we’ve all named our stories for is something none of us can claim credit for – the originator of that trope is lost in the mists of folklore.

So there you have it: Life, the Universe, and What My Seventh Son Is Not.

Incidentally, speaking of BB – a little side-track-advertising here: there’s a Ben Bauer in Cat and Mouse, the sequel to Seventh Son.  You know, just sayin’ – book release is in just five days! You can pre-order the ebook right now!

Check it Out: YOU CAN’T CATCH ME by Lee Strauss

Instalment #3 in our Check It Out! series of book recommendations: Lee Strauss’ You Can’t Catch Me, the third part of The Gingerbread Man book, hot off the press today! It wraps up the story of Marlow, Sage and Teagan, but not before throwing yet another interesting twist in your way! If you haven’t read the beginning of the story yet, Part 1 is still free on Amazon and other ebook sites.

The final episode of A Nursery Rhyme Suspense – Gingerbread Man,  
 
YOU CAN’T CATCH ME 
is out now! 
 
 
only .99
 

It’s A Book!

SeventhSon_CVR_XSMLSo here it finally is, the big announcement you’ve all been waiting for: IT’S A BOOK! That’s right, this is the birthday of my first novel, the brain child whose arrival I’ve been promising. It’s been three years in the making, and now here it is in all its glory: Seventh Son. Two hundred pages of a story that started when I put fingers to keyboard in November of 2011, and typed out: “It was the blue pottery bowl that started it all…” Started what? Well, here, let me elaborate:

Cat was ordinary—until the day a blue bowl whirled her off to a magical medieval world…

Catriona, ex-librarian, dumped by her boyfriend, is just trying to restart her life when she looks into a blue pottery bowl in a museum, and suddenly finds herself whirled off to a magical medieval world. Who is the injured man flung across the forest path? How is Cat going to cope with that muddy baby watching him? And what do either of them have to do with the disappearance of the town’s most powerful figure, the seventh son of the seventh son? Something is not right in the forest of Ruph… It will take all of Cat’s ingenuity to solve this mystery, and in the process, she needs to find out what her own place in this new world is. Can she make her way back to twenty-first-century America – and what is more, will she want to?

Seventh Son is available on Amazon (.com, .ca, .de, and a number of other .somethings) for Kindle and in print; in most other Ebook formats on Smashwords; in epub on Kobo; and in print only on CreateSpace.

Life, the Universe, and My First Own Book! Do hop on over to the vendors, and get a copy. And then let me know what you think!

Luddism and Ebook Readers

booksI ran across another one of those articles the other day. You know the ones – “Social Media Are Destroying Our Connections To Real People!” “Computers Rot Your Brain!” “If You Don’t Feel Guilty About Your Use of Technology Yet, Here’s Why You Should!” This particular one is entitled “Science Has Great News for People Who Read Actual Books“, and takes a dig at ebook readers. Granted, this article is a lot better than the last one I read on the subject, which cited a study that said we read differently on a screen than on a page (we skip around on a screen, as opposed to the “linear” reading we do on a static page), and then concluded from that that you shouldn’t read books on your Kindle (because a Kindle has a screen). D’uh. Apparently the authors of that particular article haven’t ever actually looked at an ebook reader, particularly the e-ink ones like Kindle or Kobo – it looks exactly like a paper page, you don’t scroll or jump around visually. Just line after line of text, and then you “flip the page” with a touch of a button or a swipe of your finger.

Anyway, this article I read this morning actually has some interesting info: they’re citing a study that found that paper readers had a better recall of the timing of events in a story than Kindle readers. The researchers speculate that it’s because a Kindle always feels the same, no matter where you are in the story, whereas in a paper book you have the tactile feedback that tells you how many pages are left to read – so you know that when the detective ran across the red herring, you still had half the book in front of you, so it obviously wasn’t close to the end of the story.

Sure, it makes sense. And all those articles do have a point. However, have you noticed something about them? All of those pieces of writing decrying the evils of technology are on the Internet. Guess what? You won’t be able to read that article about the evils of reading on a screen on anything but a screen. That video clip about how social media cut us off from real people went viral – on social media.

There is a certain amount of hypocrisy about all of that, wouldn’t you say? And what’s more, it has an all-pervasive flavour of Luddism. “Everything Was Better in Ye Olden Dayse”, that sort of thing. “If it’s new, and especially if kids like it, it must be bad.” And that’s an attitude that is suspect right from the word Go. I’m all in favour of doing things the old-fashioned way (I made grape jelly without commercial pectin the other day, and was thrilled when it turned out), but that doesn’t mean that the new way is inferior and to be avoided. That’s Luddite alarmism, is what it is.

See, the fact about that article is that while it claims to give “Great News For People Who Read Actual Books”, what it really does is give Bad News to Ebook Readers. It sets up reading on paper as superior to reading on an ereader – and for what? Probably just so that paper book readers can feel smug, and ebook readers feel guilty.

I’m sorry, I have no use for that kind of snobbery. It doesn’t really do anybody any good, least of all us bibliophiles. Of course I love my paper books, I’d never be without them. (In fact, I built me a new bookshelf just a few days ago. No, getting rid of enough books to make them fit the existing shelves isn’t an option. Sorry.) But my Kobo is also a great way to do reading. In a little package the size of a thin paperback I have about 250 books stored – I don’t think I can fit that many hardcopies onto my new shelf, and it’s three feet wide and four feet tall. If I want new books, in some cases I can get them instantly. For example, just the other day E. L. Bates recommended a series I hadn’t read, and when I went on my library’s website, it turned out to have the first of the series available as an ebook. In five minutes I had that library book in hand, even though it was Saturday night and my local library branch wouldn’t open again until Tuesday. Thousands of classics of world literature are available for free from places like Project Gutenberg and the MobileRead website, and many more brand-new books from self-published authors on Amazon and Smashwords.

koboSo stop it with the Luddite reading snobbery already. Ereaders are a fantastic way to get at more reading material, to carry it around with you, to expand your reading horizons. They’re not inferior to paper books, they’re just different. A new way to indulge your love for reading. That’s something to celebrate, wouldn’t you say?

Life, the Universe, and Ebook Readers. Where are you getting your daily reading dose today?